The Trans Modern Theatre opens the "borders" of today's modern theatre: The audience can be replaced by objects, especially puppets. Actors, musicians or performers can also be replaced by objects. The Trans Modern Theatre reaches the highest level when both subject levels are exchanged for objects / puppets. There is no physical / corporeal presence. This makes a suggestive hermetic and a purely meditative energy perceptible and tangible for the outside viewer / listener. Trans Modern Theatre attempts to unbind itself from physical time and approach timelessness as much as possible. In the Trans Modern method, dealing with the concept and functions of repetition is this constant practice. This Trans Modern Theatre experimental arrangement can best be compared with the work of a curator who places pictorial works and sculptures in an interesting and exciting relationship to each other. The best case scenario is a successful and strong exhibition. The texts in the Trans Modern Theatre consist of very limited dialogues or monologues, perhaps even of a single word. The language is extremely reduced, no verbs and if possible no adjectives. Important is the content and the meaning of names and words. In this type of theatre, a person or object / puppet can play or take over an fictional character as part of existence.